Halloween brings out a series of ghost tours throughout Virginia from Colonial Williamsburg to Alexandria, Fredericksburg, Portsmouth, and so on. But such tours have only become popular recently. They’re popular, and draw large crowds to Virginia’s many famous sites, but why were such tours frowned upon for so long?
Dr. Alena Pirok joins me to discuss Ghost Stories and their importance to Colonial Williamsburg as well as Virginia. She details how Ghost Stories influenced Colonial Williamsburg’s founding, as well as how Virginian’s have viewed ghosts historically. Her new book reveals just how important those stories were and still are to the Commonwealth. Without them, Virginia’s tourist industry would never be the same. In fact, those frowned upon stories paved the way for the largest history museum in the world’s creation. They might even ensure that such places continue to endure well into the future.
All photography used on this site is owned and copyrighted by the author unless otherwise noted. The featured image is Dr. Pirok’s new book.
Music used for this episode – Louis Armstrong and the Mills Brothers,”Carry Me Back to Old Virginia” available on iTunes, and Kevin MacLeod “Vanished” found on Soundcloud.
Researching Virginia’s First Families can be an adventure. For anyone studying the Wormeleys this is certainly true. Their connections extend far back into World History, linking them to many of Medieval and Early Modern names and places.
Eventually a branch of the Wormeleys from Hatfield, Yorkshire extended into the Caribbean and then northward to Virginia, where they first settled along the York River at a creek bearing their name today – Wormeley Creek.
Their formerly important status came with them, in custom at least, when they established early plantations, most notably Rosegill along Urbanna Creek on what Virginian’s call the Middle Peninsula. From there, the Wormeley name is found deeply embedded into Virginia’s rich history.
Though they rose to prominence with celerity, their demise came even more rapidly. The Wormeley’s found themselves on the losing side of the American War for Independence, and suffered for it.
Another Wormley line appeared as the main line faded. This one claims to have potentially descended from the Wormeley’s, but conclusive proof has been elusive. Regardless, the Wormley‘s, most likely former Wormeley slaves, were very influential after the American Civil War in establishing schools for black children. They also ran an important D.C. Hotel that was used to broker the Compromise of 1877, allowing Rutheford B. Hayes to become President.
Today’s Wormeleys are all over the world, but they can be confident in that their imprint is firmly stamped upon not only Virginia’s history, but also England’s and much of the world as well. For that, the Wormeley’s are an intriguing study, and should not be forgotten.
LINKS TO THE PODCAST:
SOURCES:
Billings, Warren M.; Selby, John E.; and Tate, Thad W. Colonial Virginia: A History. White Plains, NY: KTO Press. 1986.
All photography used on this site is owned and copyrighted by the author unless otherwise noted. The Featured Image is of the Wormeley Family Crest.
Music used for this episode – Louis Armstrong and the Mills Brothers,”Carry Me Back to Old Virginia” available on Apple Music, and “Shadow of a Man” by Neulore, also available on Apple Music.
Perhaps the Armisteads, pronounced “Ahmi-steyud” by colonial Virginians, are not the most important First Family of Virginia, but their impact is without question. They feature in most First Family genealogies, including two presidential lines the Tylers and Harrisons. They also have ties to other important figures such as Robert E. Lee and Robert “King” Carter to name a few.
Beyond family connections, the Armisteads were involved in settling along early Hampton and Norfolk as well as the Middle Peninsula, where the main family branch settled. Soon thereafter, the Armisteads were involved in not only Virginia, but also Maryland, and then North Carolina, before they started to spread south and westward into the evolving United States.
Along the journey, Armisteads featured in all of early America’s Wars from Independence to 1812, Mexico, and the Civil War to name a few. The most notable figures from those conflicts were William and his slave James, George, and Lewis Armistead respectively.
The Armisteads did more than fight America’s wars; however, they helped unite leading families, and build a Commonwealth as well as a newly formed Country. For that, their inclusion in the First Family list is undeniable.
Music used for the first episode – Louis Armstrong and the Mills Brothers,”Carry Me Back to Old Virginia” available on Apple Music, and “The Crossing” performed by The East Pointers, also available on Apple Music.
It’s hard to think about Yorktown, VA without the Nelson family. In fact, one could say it another way – It’s hard to think about the Nelson family without Yorktown. They were so instrumental in creating the once prominent port city that they’ve often been called the city’s founders. Whether they were or not is debatable, but what is not debatable is that Yorktown as we know it would not have existed.
“Scotch Tom” emigrated to Virginia in the early 18th Century, began many businesses, and established a solid foundation for his descendants in the process.
Those descendants became major figures that shaped Virginia and then the United State’s History. Undoubtedly that history would be quite different had this important family not existed, which is why the Nelson’s must be discussed.
LINKS TO THE PODCAST:
SOURCES:
Billings, Warren M.; Selby, John E.; and Tate, Thad W. Colonial Virginia: A History. White Plains, NY: KTO Press. 1986.
Evans, Emory G., The Nelsons: A biographical Study of a Virginia Family in the Eighteenth Century. Ann Arbor, Michigan: UMI Dissertation Services. (A Dissertation Presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy by Emory G. Evans, B.A., M.A., Corcoran Department of History, University of Virginia, 1957.
All photography used on this site is owned and copyrighted by the author unless otherwise noted. The Featured Image is of the Nelson Family Crest.
Music used for the first episode – Louis Armstrong and the Mills Brothers,”Carry Me Back to Old Virginia” available on Apple Music, and “Meridians” performed by The National Parks.
The Parke Family may not have endured as the others on the First Family list, but their impact, mostly negative due to Daniel Parke, Jr, is undeniable. They burst onto the scene in both England and Virginia relatively quickly. Within a few generations, all that remained of them was their name, which was curiously demanded to be added to any who wanted to inherit Parke wealth.
The Parkes helped build Yorktown and Williamsburg. In the process, they found themselves at the heart of a thriving colonial community. It was a community that the last Parke male heir wanted to govern, but he couldn’t govern himself. In the end, the family that had intermarried with Ludwells, Byrds, and Custises saw their inheritance pass into those and other leading families of their day.
“Virginia Gleanings in England.” The Virginia Magazine of History and Biography, vol. 20, no. 4, Virginia Historical Society, 1912, pp. 372–81, http://www.jstor.org/stable/4243226.
Because The 1619 Project continues to impact current events through the way we view the past, I wanted to devote another episode to discussing the Project.
Dr. Mary Grabar joins me to discuss her new book Debunking the 1619 Project: Exposing the Plan to Divide America, in which she tackles the historical philosophy underpinning the Project. In addition, Dr. Grabar works to shed more light on the Project‘s historical misrepresentations.
If one is seeking to understand the philosophy driving The 1619 Project as well as the Project‘s goals, then Dr. Grabar’s work is a must read. I trust our discussion illustrates my claim, and that my listeners will get a copy of this important new book.
All photography used on this site is owned and copyrighted by the author unless otherwise noted. The Featured Image is Dr. Mary Grabar from the author’s website.
Music used for this episode – Louis Armstrong and the Mills Brothers,”Carry Me Back to Old Virginia” available on Apple Music, and Adagio for Strings by Samuel Barber, The New York Philharmonic conducted by Leonard Bernstein also available on Apple Music.
1619 was indeed a big year in Virginia’s history. In previous episodes we discussed many firsts that took place in the colony, but perhaps none of those firsts has drawn more attention than the “20 and odd’s” arrival.
In 2019 The New York Times published a series of articles highlighting that arrival. It was quite a publication with many goals, most of them political. Especially because of that political focus the 1619 Project received enormous scrutiny. It could be understood that one side of the political spectrum would attack the work, but both sides cried foul.
One of the leading critics, Dr. Phillip Magness began dissecting the work in a series of his own essays. Those essays became his book The 1619 Project: A Critique. In it, he discusses the Project’s shortcomings, while also highlighting some of what the series got right. As such, he, somewhat humorously, earned both praise and ire from Nikole Hannah-Jones, the Project’s lead editor.
His work is quite exhaustive, as you’ll hear in the interview. I’ve listed a few key links mentioned in the episode, but for further, in depth material, please, do purchase his book, The 1619 Project A Critique.
Understandably, I focus upon Virginia’s history with this podcast, and I intend to keep doing so. Because of the 1619 Project‘s continued influence, based upon it’s slavery claims reaching far back into Virginia’s history, I’ve come to believe that we needed to discuss the work in more detail, hence this episode.
There will be one more interview covering the Project’s work, but in my opinion, Dr. Magness’ scholarly expertise in this area is second to none. I trust as you listen to this episode, you’ll see why I hold him and his work in such high regard.
All photography used on this site is owned and copyrighted by the author unless otherwise noted. The Featured Image is Dr. Phillip W. Magness from aeir.org.
**Full disclosure, I re-uploaded the Dr. Magness interview tonight.One of my faithful listeners pointed out that I erred when mentioning that Teddy Roosevelt would not publicly meet with Booker T. Washington.
Though there is nuance to the comment, Roosevelt in fact did meet with Washington at the White House.Roosevelt received incredibly negative publicity for meeting with Washington after they shared dinner together. Making the situation more unclear, the White House, not necessarily Roosevelt, stated that they did not eat together. Then a few staff members commented on the meal, but said it was not dinner, but lunch instead.
Either way, I was incorrect in saying that Roosevelt did not meet with Washington, and that portion has been struck from the episode. This message is to publicly state the change.
As always, thanks for listening. I greatly appreciate the feedback! Robert.
Most Americans have heard about the young French war hero who formed a solid bond with George Washington during the American War for Independence. Lafayette’s work to both create a Franco-American alliance and help win the War with Britain were pivotal in American and World History. Though his work during that watershed period was profound, Lafayette’s involvement in the United State was not complete.
The famous Marquis returned to tour the young country in 1824. His year long trek was met with incredible excitement in all parts of the country that he visited. Crowds came out to witness this key historical figure from an era that by that time was passing into print only. Lafayette understood his place in history very well, and used that understanding to address key societal issues with his adoring American crowds.
The Lafayette Trail’s Julien Icher, a Frenchman himself, has made it his profound duty to retrace and highlight Lafayette’s 1824 tour, and its legacy upon American History. We discuss this impact as well as plans to honor the 200th anniversary of the landmark visit. Do, please, consider joining alongside the Lafayette Trail’s wonderful mission after listening to the episode. Information will be listed below.
Julien Icher placing one of the Lafayette Trail Markers
All photography used on this site is owned and copyrighted by the author unless otherwise noted. The Featured Image is The Lafayette Trail’s Logo. The Julien Icher Picture is from the Eagle Times December 2020 article.
Music used for this episode – Louis Armstrong and the Mills Brothers,”Carry Me Back to Old Virginia” available on Apple Music, and L’Arlesienne Suite No. 1: Prelude by Georges Bizet, performed by the Berlin Philharmonic conducted by Herbert Von Karajan, also available on Apple Music.
The Ludwell family had arguably more impact upon Virginia’s foundations in the shortest amount of time. In just over a century three Philip Ludwells stood atop Virginia’s power structure, and then because of no male heirs, the name vanished in all but first and middle names used by other First Family relatives.
They hailed from Bruton, Somersetshire, England, the same area as Governor William Berkeley. In fact, they were most likely related to the powerful 17th Century Colonial leader, which appears to have aided the Ludwells from the very beginning.
Thomas Ludwell served in the Cavalier army during the English Civil War alongside Governor Berkeley’s brother John. John Berkeley recommended Thomas to become Virginia’s Colonial Secretary of State as a reward for his service to the Crown, and Charles II obliged. Thus, Thomas moved to Virginia. Philip, Thomas’s youngest brother, tagged along, and together they planted the Ludwell name firmly in Virginia’s history.
LINKS TO THE PODCAST:
SOURCES:
Billings, Warren M.; Selby, John E.; and Tate, Thad W. Colonial Virginia: A History. White Plains, NY: KTO Press. 1986.
Virginia B. Price. “Constructing to Command: Rivalries between Green Spring and the Governor’s Palace, 1677-1722.” The Virginia Magazine of History and Biography, vol. 113, no. 1, 2005, pp. 2–45. JSTOR, www.jstor.org/stable/4250232.
Rothbard, Murray N. Conceived in Liberty. Auburn, AL: Ludwig Von Mises Institute, 1999.
Shuffler, R. Henderson. “Decimus Et Ultimus Barziza.” The Southwestern Historical Quarterly, vol. 66, no. 4, 1963, pp. 501–512. JSTOR, www.jstor.org/stable/30236259.
All photography used on this site is owned and copyrighted by the author unless otherwise noted. The Featured Image is of Philip Ludwell Sr’s Crest. Greenspring Plantation is from Green Spring Plantation as seen by Benjamin Latrobe during the plantation’s Ludwell ownership. The Ludwell Paradise House is from Virginia Places.
Music used for this episode – Louis Armstrong and the Mills Brothers,”Carry Me Back to Old Virginia” available on Apple Music, and “Roots” by The Arcadian Wild also available on Apple Music.
Reading through William Fitzhugh the Immigrant’s letters allows us to reach back into 17th Century Virginia in a tangible way. We get a taste of life that we don’t get from the other First Family patriarchs. William shares his thoughts, feelings, and ambitions, thus making him arguably the most accessible figure from his era. Indeed historians often point to William and his letters as the single most important first hand accounts from this pivotal period in Virginia’s history.
William descended from a long line of successful Bedfordshire Fitzhughs who have been traced back to at least the 13th Century. Their family history, though in bits and pieces, makes for interesting research as it melded into the English countryside and into the Royal Court. Though successful for generations, disaster struck, which affected William directly. He chose to look for new opportunities, which he found in Virginia.
The Fitzhugh family built upon William the Immigrant’s solid foundation, and became extraordinarily important figures throughout not only Virginia, but also the new Country. They married into all of the most important families, befriended all of the leading figures, and together built a lasting legacy. They might not be a house-hold name for many, but their importance is undoubted, which is why we discuss them in this next podcast installment.
*The original podcast recording stated that Mary and George Washington Parke Custis had 7 children, which is incorrect. They had 4 children. That correction has been made in the current podcast recording.
LINKS TO THE PODCAST:
SOURCES:
Billings, Warren M.; Selby, John E.; and Tate, Thad W. Colonial Virginia: A History. White Plains, NY: KTO Press. 1986.
Davis, Richard Beale. “Chesapeake Pattern and Pole-Star: William Fitzhugh in His Plantation World, 1676-1701.” Proceedings of the American Philosophical Society, vol. 105, no. 6, 1961, pp. 525–529. JSTOR, www.jstor.org/stable/985162.
“The Fitzhugh Family.” The Virginia Magazine of History and Biography, vol. 7, no. 2, 1899, pp. 196–199. JSTOR, www.jstor.org/stable/4242247.
“Fitzhugh Family (Continued).” The Virginia Magazine of History and Biography, vol. 8, no. 3, 1901, pp. 314–317. JSTOR, www.jstor.org/stable/4242364.
“Fitzhugh Family (Continued).” The Virginia Magazine of History and Biography, vol. 7, no. 4, 1900, pp. 425–427. JSTOR, www.jstor.org/stable/4242289.
“The Fitzhugh Family (Continued).” The Virginia Magazine of History and Biography, vol. 8, no. 2, 1900, pp. 209–211. JSTOR, www.jstor.org/stable/4242338.
“The Fitzhugh Family (Continued).” The Virginia Magazine of History and Biography, vol. 8, no. 4, 1901, pp. 430–432. JSTOR, www.jstor.org/stable/4242388.
“The Fitzhugh Family (Concluded).” The Virginia Magazine of History and Biography, vol. 9, no. 1, 1901, pp. 99–104. JSTOR, www.jstor.org/stable/4242410.
“The Fitzhugh Family (Continued).” The Virginia Magazine of History and Biography, vol. 8, no. 1, 1900, pp. 91–95. JSTOR, www.jstor.org/stable/4242318.
“The Fitzhugh Family (Continued).” The Virginia Magazine of History and Biography, vol. 7, no. 3, 1900, pp. 317–319. JSTOR, www.jstor.org/stable/4242268.
William Fitzhugh “The Immigrant” by John Hesselius
All photography used on this site is owned and copyrighted by the author unless otherwise noted. The Featured Image is of the proper Fitzhugh Family Crest. The “Robert E. Lee Boyhood Home” is from wtop.com. The Ravensworth picture is from “The Story of Ravensworth.” The “Barons Fitz Hugh Crest” improperly used by William the Immigrant is from jstor.org. Finally, the William “The Immigrant” portrait by John Hesselius is from Colonial Virginia Portraits.
Music used for this episode – Louis Armstrong and the Mills Brothers,”Carry Me Back to Old Virginia” available on Apple Music, and “Ulysses” by Josh Garrells also available on Apple Music.
Virginia History Podcast 